Saturday, 11 November 2017
A very very quiet start to this broadcast. The opening from Side Two of Sophie Cooper's new cassette release on Crow Versus Crow. The full title is "Tribute To La Monte Young And Marian Zazeela's OCEANS (Recorded On Location At Cusenden Beach, Northern Ireland)", but I just shortened it to "Oceans". It's a wonderful piece and my thoughts on the cassette were blogged last month.
A return to the (ir)regular feature On This Day brought out my old Scritti Politti vinyl. "4 A Sides" 12" was released in 1979. Perhaps the last decent release, and in the same year the Stranglers released their Christmas single "Don't Bring Harry". I wasn't too fond of Fad Gadget's second album when it was released in 1981, but older ears have made "Incontinent" a great listen. "Saturday Night Special" was the single from the album. Dave (Mutch) who was sat next to me at the time (in his Big City Orchestra T-Shirt) remarked that it sounded like The Cardiacs.
Theme are the duo Stuart Carter and Richo Johnson. Created at the end of the last century as Splintered ....... splintered, Richo joined ex Heroin member Stuart to make Theme a project that explored drones, textures and loops. Breaking away from the alt.rock styles of their previous projects. "Sacral Blood Warning" is the title piece from their forthcoming album.
The two pieces from Anemone Tube are from the new triple CD package "The Three Worlds: Allegory Of Vanity / Forget Heaven / Vanity Of Allegory" on The Epicurean / La Esencia label. It's a kind of 'career span' release featuring pieces from 1996 - 2013.
More Zos-Kia. Last programme I played "Be Like Me", probably my favourite of all Zos-Kia tracks, this programme features the main reason why I bought "23" the new compilation of Zos-Kia songs on the Russian Infinite Fog Productions label. "Muggy The Staff" originally appeared on the compilation LP "Stator" released by the French label In9. The double CD also features recent recordings made by Zos-Kia of which "Sleazy Said" is one ...
The programme finishes on Navel. Last week a parcel with two vinyl 12"records by Navel arrived at Hartop Towers. "Ambient 1:Music For Spaceports" and "Alexeij". I have no idea who mailed these records to me. No note was attached or return address on the mailer. Who ever you are ... thank you. "Music For Spaceports" is a great 12" "Alexeij" is a little too guitar orientated for my ears, but has been an interesting listen.
Please take a listen here : (Copy & Paste).
01: Sophie Cooper : "Oceans" (Crow Versus Crow) 2017.
02: This Heat : "A New Kind Of Water" (This Is) 2006.
03: This Heat : "Suffer Bomb Disease" (This Is) 2006.
04: Scritti Politti : "P.A.s" (Rough Trade Records / St Pancras Records) 1979.
05: The Stranglers : "Don't Bring Harry" (United Artists) 1979.
06: Theme : "Sacral Blood Warning" (Fourth Dimension Records) 2017.
07: Copley Medal : "Teskind" (Prime Ruin) 2015.
08: Anemone Tube : "From Anthropocentrism To Demoncentrism II" (The Epicurean / La Esencia) 2017.
09: Anemone Tube : "Ausweg" (The Epicurean / La Esencia) 2017.
10: Laurent Fairon : "Letterklankbeelden" (NPH) 2017.
11: Fad Gadget : "Saturday Night Special" (Mute Records) 1981.
12: Zos-Kia : "Muggy The Staff" (Infinite Fog Productions) 2017.
13: Zos-Kia : "Sleazy Said" (Infinite Fog Productions) 2017.
14: Modelbau : "20170115-1" (Aubjects) 2017.
15: Stea Andreasson : "Miniatur X" (90% Wasser) 2005.
16: Navel : "Music For Spaceports" (Taping Desk O-Phon Mania) 2009.
A couple of mistakes were mentioned, most importantly that the next broadcast is on November 23 not the 21st. ... well, at least I didn't play anything at the wrong speed.
Tuesday, 7 November 2017
Sfär are comprised of the duo Mattias Gustafsson and Viktor Ottosson. Based in Gothenburg, Sweden, Matthias also records and performs under the moniker of Altar Of Flies. Viktor is also known under the name of Blodvite and has also been part of Swedish projects Enklav (with Neutral's Dan Johansson) and the wonderful Åttestupa.
Viktor is also known for his mastering. He is the masterings master, along with Phil Julian (UK) and Rashad Becker (Germany). Viktor's mastering work can be heard on works by Merzbow, AmPh, Altar Of Flies, Lust For Youth, Trepaneringsritualen, Sewer Election, Arv & Miljö and Àspa (to name just a few from my record and tape collection).
"Sprickor" is an LP on Järtecknet. Sprickor roughly translates as 'Cracks'. The sound on the opening piece "Ur Sprickorna / Etc Halvt Liv" is very close to that of Altar Of Flies with minimalistic tape manipulations, looping and layering and leaving alone. Side one finishes on a couple of tracks that are more like diary entries than finished pieces, murmuring voices through a dictaphone whilst a guitar strums and bees drone. The last few minutes brought to mind Enhet För Fri Musik.
Side two has two pieces. "Omsluten Av Materia" ('Enclosed By Matter') uses the shortwave radio dial to claustrophobic effect whilst "En Horisont Sum Sluter Sig" ('A Horizon That Closes') is all contact microphone manipulation, pulling and scraping until a clear space is found where the wind blows and animals chatter.
I was very excited when I first heard about this project and the sound has not let me down. The sound of the modern Swedish underground.
"Sprickor" is available from the Järtecknet website : http://www.järtecknet.se (Copy + Paste). I bought my copy from the excellent http://www.millstonevinyl.se mail order outfit.
Hopefully not a one-off collaboration.
Sunday, 5 November 2017
BºTong is Chris Sigdell. 2017 has been a busy year for Chris with the release of four BºTong albums. Two on the Spanish 'Hots' label and two for the Swedish 'Reverse Alignment' label.
I was fortunate to spend a few days with Chris back in October 2013 when Dieter Müh played a couple of dates with BºTong in Hamburg and Bremen. Travelling from gig to gig, from City to City I learnt that Chris is a big "Sci-Fi" fan, he always had his head in a tome of science fiction.
"The Long Journey" is a CD on Reverse Alignment and is Chris's science-fiction novel, conceived and recorded between 2012 and 2016. "The Long Journey" is a sound from deep space in a similar way that Inade, The Anti Group, Arecibo and Lustmord (on the album "The Place Where The Black Stars Hang") capture the sound of deep space.
"The Long Journey" begins with the boarding of an abandoned spacecraft, wide metallic grey spaces with machinery / technology purring and breathing, travelling through the corridors becomes uncertain, chaotic and claustrophobic. Lost transmissions are floating through time. The pulses and drones of deep space appear and the journey begins with the ominous purring and rasping of reawakening machines all around. A storm breaks into the emergent sound. There's a descension into static, the journey speeds up. Panic transmissions like tribal rhythmic pulsars attempt to communicate. Attempted responses are made as the journey continues.
Around 30 minutes into the album and the sound changes, slows down and becomes very menacing. Sounds are beginning to reverse as the static signals become more distressed and the purring of machinery returns. The storm continues and a bell tolls. A melancholic piano brings the end to the long journey, there is stillness as the stars burst all around. There's a sense of all things coming full circle and we are at the point where the long journey will start again.
Like I mentioned, the album plays like a novel. I have played the album a few times now over the weekend and it always seems to have the same storyline.
It is of extremely high quality, as have all the BºTong releases been over the past couple of years.
Released on the same day as this CD was "Monastic", a full length CD also on the Reverse Alignment label, as far as I can make out the two aren't connected. The Spanish label 'Hots' released a vinyl LP "Fractured" and the end of summer ... I have yet to play that, but, again. I don't believe there's any connection it is just that Chris has been a very busy man of late.
"The Long Journey" is available direct from Reverse Alignment at :
https://reversealignment.bandcamp.com/album/the-long-journey. (Copy + Paste).
Sunday, 29 October 2017
File this one under curious. I saw the release announcements for Sophie Cooper, an avant-garde sonic / acoustic improv. trombone player from Yorkshire and I must admit to not really being tempted. It is on the Yorkshire label Crow Vs. Crow whose last release by Steff Ketteringham I found verged on the unlistenable. And then a copy arrived through the post (thank you Andy) and I now admit to be pleasantly surprised.
There are a lot of tracks on this tape. Fifteen of them.....sketches I suppose. All of the tracks were recorded at an artist residency at The Curfew Tower in Cushendall, Northern Ireland. Hence the title "The Curfew Tower Recordings". The opening piece is a calming drone piece with treated shruti box (an Indian drone instrument similar in sound to a harmonium) and trombone. It is not what I expected. Closer to David Jackman than George Chisholm. The instruments lull and drift filling the room with melancholic air until a lone voice tunefully mourns along with the drone. This arcs into a great amp noise driven loop of trombone and voice. And then, about seven or eight minutes into side A it all takes a turn.
There are 'interruptions'. "Dial-A-Bone" calls. A telephone service where callers ask for a trombone to be played down the phone. Long or short, high or low notes ... it's kind of comedic in an unfunny kind of way and from the first "Dial-A-Bone" call the whole of side A goes downhill. Raw trombone sounding like an annoying neighbour practicing scales etc.
It did put me off turning the tape over straight away to experience side B. Side B begins with 'Tribute To La Monte Young And Maria Zezeela's Oceans". Again the shruti box, this time to the sound of a rippling tide and a siren's call. A somnambulistic meditative piece. It is beautiful - one of the finest pieces I have heard for a while, broken by another "Dial-A-Bone" interlude.
"Push The Button" has a sonic acoustic feel, very isolated but a lot warmer than the solo trombone pieces / sketches on side A, probably because it is hard to define the sounds as trombone. "Keep It Running" is a prime example. This could be Throbbing Gristle taking sonic looping to the edge. Side B has the more experimentation with sound and effects and it is my preferred listen. There's still the pointless "Dial-A-Bone" interruptions, but (by now) they're palatable.
I see Sophie Cooper has ears. She has released on labels such as Tor Press, Was Its Das?, Blackest Rainbow and Wild Silence. The tape is available via the Crow Vs. Crow bandcamp page, also visit the Sophie Cooper website.
I shall be playing some Sophie Cooper on the next MuhMur Radio Broadcast.
With Samhain approaching and new releases from occult driven artists Michael Idehall, Zos-Kia and Trepaneringsritualen this programme took on a dark magickal and mysterious turn. I also dug out a couple of releases from the Austrian Nekrophile Rekords label from the 1980's. (They seemed apt).
Korpses Katatonik was an early 1980's project from Michael DeWitt. Michael went on to perform as Zero Kama. "Kaltfleisch Corporor" comes from their only release "Subklinikal Leukotomy Aphrenia Spasmophilik Lyssophobo Asphyxia Sinister Lethal Anorex" on Nekrophile Rekords. The other Nekrophile Rekords release on this programme is "Kundalini" by LAshTAL. LAshTAL were an unknown Italian project, mysterious with members at the time (1986) but the wonder of the internet reveals that former member Maurizio Fasolo was also a member of Pankow. "Kundalini" comes from their only release "Thoum Aesh Neith".
Russian label Infinite Fog Productions have just brought out a compilation of tracks by Zos-Kia. I had to get a copy for the tracks "Be Like Me" and "Muggy The Staff", both tracks were house favourites in the 1980's and two records I have never seen (at a reasonable price) since losing them. "Muggy The Staff" will appear in an upcoming broadcast.
I have been listening to the works of Michael Idehall since his 2014 release "Deep Code" on Belaten. The sound is somewhere between cold wave, beat driven industrial and ritualistic soundscape. "Prophecy Of The Apparatus God" comes from the latest cassette "Machine Spirit Transmission" on Rabbau, and is a great sample of the 'Idehall' sound. The cassette is sold out from the label but take a listen here : https://raubbau.bandcamp.com/album/machine-spirit-transmission
To mark the 30th anniversary of Tesco Organisation I played tracks by two fine Tesco Organisation projects that played the anniversary show in Mannheim on the 26/27th of October. The Trepaneringsritualen track comes from the latest LP "Kainskult", the Contrastate track is taken from their single on Dying Earth Records. Unfortunately I played it at the wrong speed! (© John Peel).
The Dieter Mūh track s the B-Side to the single "We're Not Happy 'Til You're Not Happy", originally called "S.S. Action Song" we first played it live in Stockholm 2001. (It appears on the "Stockholm Monsters" LP). It features three splice rhythms played by natives of the South Seas. We decided to alter the title due to the record being on a German label.
The broadcast finishes with 4 tracks from the Herr Penschuck cassette "Unfälle Im Haushalt / / Domestic Desasters". I know nothing about this artist apart from his collaboration work with Thorsten Soltau. Unfortunately the slider on the mixing desk got a nudge and part of the sound went into the red for a moment. I apologise. More can be found here : http://www.herrpenschuck.eu/en/
Take a listen here : https://www.mixcloud.com/muhsteve/muhmur-radio-soundart-radio-broadcast-26102017/ (copy & paste).
01: Korpses Katatonik : "Kaltfleisch Corporor" (Nekrophile Rekords) 1983.
02: Zos-Kia : "Be Like Me" (Infinite Fog Productions) 2017.
03: Michael Idehall : "Prophecy Of The Apparatus God" (Rabbau) 2017.
04: Trepaneringsritualen : "An Immaculate Body Of Water" (Tesco Organisation) 2017.
05: Kinit Her : "Needs Of Bath (II)" (Bleak Environment) 2014.
06: Dieter Mūh : "Like It Never Happened" (Poetry & Violence/Darkness Productions) 2003.
07: Contrastate : "I Am A Clown Collecting Moments (And Other Chocolates) (Dying Earth Records) 1993.
08: Sleep Chamber : "Somewhere In Morocco" (Manhood Records) 1995.
09: LAshTAL : "Kundalini" (Nekrophile Rekords) 1986.
10: Throbbing Gristle : "After The Fall" (Mute Records) 2007.
11: Boyd Rice : "There Was Never A Moment When Evil Was Real" (The Product Korps) 1987.
12: Wyrm : "Adam Coils" (Drone Records) 2010.
13: Phantom Plastics : "Chatter Of The Eternal Return" (Firework Edition Records) 2013.
14: Aaron Dilloway : "Crow Bar" (Von) 2012.
15: Herr Penschuck : "Gefūhlsecht (Attenuation Circuit) 2016.
16: Herr Penschuck : "Bedenklich" (Attenuation Circuit) 2016.
17: Herr Penschuck : "Katastrofol" (Attenuation Circuit) 2016.
18: Herr Penschuck : "Tragisch" (Attenuation Circuit) 2016.
Next broadcast will be on November 9 at 20:00 hours GMT.
Saturday, 14 October 2017
MuhMur Radio is very proud to present some unreleased material from Angel Simitchiev. Angel is mainly known for his work as MyTrip, but also has the side projects Mother Spit, Dayin and Zev Died Orchestra as well as collaborating with Daniel Donchov and Stoyen Stoyanov in Leaver.
In this broadcast is the piece "Circle Of Loss" by MyTrip. It's an unedited unmastered demo version of a piece that will find release in 2018. The track "Inanimate II" by Mother Spit will soon be released by UK label Aetheric Records on CDR format. Aetheric Records released the debut Mother Spit CDR "Carve" back in 2013. Finally a "work in progress" piece from Dayin. Angel visited the UK last month and performed three dates as MyTrip and set up UK distribution for his vinyl releases. The LP "Filament" and the 7" single "Empty" can be bought via the Stashed Goods website. Please go to :
Angel can be contacted via the MyTrip bandcamp page : https://mytrip.bandcamp.com
Recently I have rediscovered the brilliant sound of Revolutionary Army Of The Infant Jesus. They're a band that were first introduced to me back in 1991 by an old friend Simon when he gave me the album "Mirror". Whilst in London last month I managed to pick up the 2015 CD "Beauty Will Save The World" and the album is now a firm MuhMur Radio family favourite. I know very little about the group apart from they are from Liverpool. Simon was 50 on the day before broadcast so I play the RAIJ tracks in honour.
A return of the "On This Day" section and the 1976 classic single by Pere Ubu, the second single by Subway Sect and a track from the compilation LP "Is The War Over?" released by Z Block Records in 1979. This is a compilation of Cardiff groups from the late 1970's. I don't have a copy but pulled the Young Marble Giants track from their "Colossal Youth & Collected Works" triple CD set that Domino Records put out in 2007. I do mistakenly mention that it is a South Wales compilation ... I apologise ... I also call MyTrip "MySpit" at one point ... a slip of the tongue, Angel, I apologise.
The Dead Mauriacs piece comes from a recently released CDR that is limited to 12 copies and not for sale. My thanks to Olivier Prieur for providing the sounds.
All can be heard on the MixCloud MuhMur Radio Archive. (Just copy & paste) :
01: Leaver : "No Hands" (Amek/Serpent Eve Records) 2016.
02: Revolutionary Army Of The Infant Jesus : "Song Of The Soul" (Occultation Recordings) 2015.
03: Hive Mind : "Elemental Disgrace II" (Spectrum Spools) 2011.
04: The Anti Group : "Synthesis 54 (Burning Water)" (Sweatbox Records) 1987.
05: Phantom Plastics : "Elephant Dead Rat" (Phantom Archives) 2016.
06: Contagious Orgasm : "Silent Heat" (Syntactic) 1998.
07: MyTrip : "Circle Of Loss (Demo)" (Not On Label) 2017.
08: Mother Spit : "Inanimate II" (Aetheric Records) 2017.
09: Dayin : "Untitled (Demo)" (Not On Label) 2017.
10: Pere Ubu : "My Dark Ages" (Hearthan) 1976.
11: Pere Ubu : "Street Waves" (Hearthan) 1976.
12: Subway Sect : "Ambition" (Rough Trade Records) 1978.
13: Young Marble Giants : "Ode To Booker T" (Domino Records) 2007.
14: Modelbau : "Touch-Up" (Dokuro) 2017.
15: The Dead Mauriacs : "Cérémonies Aux Totems Électrifiés (Parts 1-4)" (NPH) 2017.
16: Revolutionary Army Of The Infant Jesus : "Before The Ending Of The Day" (Occultation Recordings) 2015.
Thank you for listening. The next broadcast is on October 26 at 20:00 hours GMT.
Saturday, 7 October 2017
Modelbau is the latest solo project from Frans De Waard. Frans has been creating and releasing his own noises since 1984 with the formation of Kapotte Muziek and the label Korm Plastics. I remember first hearing Kapotte Muziek on the 1986 tape compilation "Wolfsangel" and I've been a keen listener of all things De Waard since. Over the years Frans has been apart of and behind such projects as THU20, Beequeen, Shifts, The Tobacconists, Goes, Freiband and WaSm. (There are many more but these are the ones that come straight to mind .. and are "favourites"). And now and for the past three years ... Modelbau.
Frans began Modelbau to work with lo-fi sound sources such as old tape machines (dictaphones / Walkmans), shortwave radios and small / toy synthesisers. Over the years it has developed in to also utilising laptops and old school sampling devices. The Modelbau "style" is non-aggressive noise, drones and glitches, exploring and stretching frequencies. At times the releases are like sketchbooks as there is very little editing / mastering involved. It is (More or less) presented as is.
There's about a dozen Modelbau tapes and CD's out now, the latest being the C30 cassette "Typewriter" on the Italian Dokuro label.
"Typewriter" is built of four pieces.
"Through Out" is a pleasantly layered static, a grey affair with haunted organ drones and glitches.
"Turn Over" is interfering with interference. An alien transmission. A bass hum adds a sense of melancholia.
"Take-Off" is a lo-fi hum drifting patternless. There's some attempt at rhythm but it never takes off.
"Touch-Up" is a hypnotic soundwave that flowers and bubbles on the peripheries.
Four pieces of well orchestrated space and tones, colours and textures. It has been one of those cassettes that has stayed in the tape machine over the past week or so, getting daily spins. Highly enjoyable. Recommended.
Copies are available vis Dokuro: http://www.dokuro.it
Saturday, 30 September 2017
A few weeks ago I was chatting with Harbinger Sound mainman Steve Underwood about his upcoming release of the third Heavy Metal album when he dropped the name La Confirmation into the conversation and recommended the new album "1983 - 1985" a collection of unreleased / live tracks from that period. All new to me and surprisingly excellent. Sound quality is excellent for unreleased tapes ... made me wonder if this was all a little Chen Yi ... but I have been told it is genuinely from those years. Again, very Tuxedomoon in places and sometimes Blurt and Savage Republic, hence "Arci Kroen" from the double LP "Aegean"on Nuit Et Brouillard.
Dug out the old Skullflower single, I like digging out old Skullflower records, a fact I have learnt in the last few weeks is that Australian based critic / author Jack Sargeant was involved with Toejam Records. He released his own Nitro Pussy project on the label too.
There's an awful lot of Coil (and associates) being re-issued at the moment. I'm not a big "fan" of the group but when I saw "Another Brown World" was being released as a 12" by Sub Rosa it made me dig out the 1989 "Myths 4" album it was originally released on. I had forgot all about this gem.
The programme finishes with two tracks by two projects that have a connection. The DP's and Duncan Harrison. The DP's "City Of Freaks" comes from the LP "If You Know What Mean?".
I love The DP's. There was a weekend in Lincoln in 1978 where they played live twice. Once supporting Slade at the Theatre Royal and then supporting The Vibrators at The Drill Hall. They were
promoting their first LP and still known as The Depressions but they have left an impression on me. The LP cover is truly bizarre (for a "punk" album) and features Debbie Arnold. Class.
"Preamble To Nihil" by Duncan Harrison is available as a pay what you like download at : https://duncanharrison.bandcamp.com/album/preamble-to-nihil
The connection? They're both from Brighton.
Listen hear : https://www.mixcloud.com/muhsteve/muhmur-radio-soundart-radio-broadcast-28092017/. (Copy & Paste).
01: Daniel Fagerström : "0110100" (Beat Concern) 2017.
02: Units : "High Pressure Days" (Community Library) 2009.
03: La Confirmation : "Echolalie (Delodio Edit)" (Delodio) 2017.
04: Savage Republic : "Arci Kroen" (Nuit Et Brouillard) 2015.
05: Einstürzende Neubauten : "Kalte Sterne" (Mute Records) 1992.
06: Skullflower : "Spook Rise" (Toejam Records) 1990.
07: Tovah Olson & Aaron Dilloway : "T&A" (Tovinator Records) 2006.
08: Esplendor Geométrico : "Héroe Del Trabajo (II)" (Geometrík) 2012.
09: Phantom Airwaves : "KR200 Kabinenroller" (Firework Editions Records) 2010.
10: Stuart Chalmers : "Fire In The Blood" (Not On Label) 2017.
11: Dome : "Ritual View" (Dome Records) 1980.
12: Filtro : "Statore" (Upside Down Recordings) 2017.
13: Death Squad : "Unit 1837.2" (Spastik Kommunikations/Neural Operations) 2011.
14: La Confirmation : "Pièce No.5, Enfermement Du Soir" (Delodio) 2017.
15: Coil : "Another Brown World" (Sub Rosa) 1989.
16: The DP's : "City Of Freaks" (Barn Records) 1978.
17: Duncan Harrison : "Preamble To Nihil (A)" (Not On Label) 2017.
The next MuhMur Radio broadcast will be on October 12 at 20:00 hours GMT. Hopefully the FM transmitter out on the Dartington Estate will be fixed and it will all be heard over the airwaves. This programme was "internet only". The October 12 programme will feature exclusive material from Bulgarian projects : MyTrip, Dayin and Mother Spit .. as well as the (ir)regular feature of "on this day"....
Saturday, 16 September 2017
It's good to see a new release from Duncan Harrison. The Brighton based chef of the noise garde, promoter, poet and ex-Plural. The last solo release I heard was the 2013 tape "Ogre Neon" on Beartown Records, and I found that CDR very hard to get on with ... "Preamble to Nihil" is still "difficult" music but it is an easy listen thanks to masterful editing ...
"Preamble To Nihil" is a C30 tape, a step inside the comforting space between the ears of Mr. Harrison. It's construct is from random recordings, live performances, stream of conscious style verbals and attacks. A collage. A diary. Cut-Up Construction.
Inside the magnetics are sounds of wonky lo-fi guitar, dreamscape poetry (word & mouth play), looped vibes, arguments, church bells and brass bands (Brighton parklife?), turntables, general rustle, hustle and bustle. Sax blurts, ampnoise. There's some recorder playing that sounds like an intro to an old Good Missionaries song. It's all in the editing and presented so smoothly, like listening to a jigsaw being built.
"Preamble To Nihil" is available as a pay what you like download Duncan's band camp site : https://duncanharrison.bandcamp.com/album/preamble-to-nihil : I think all the cassette editions have sold.
It's always a pleasure to listen to what Duncan is up to, this tape does not disappoint. To quote the man himself;
"Empty Of Meaning Where Meaning Could At Last Be Emptied".
Friday, 15 September 2017
A programme built around the sound of Bulgarian project MyTrip. MyTrip are over in the UK next week for a quartet of live shows, starting in London on September 21, then moving to Bristol (22), Birmingham (23) and Brighton (24). I have been listening to the sounds of MyTrip since 2012 when I bought their split tape with Costa Rican noise band EUS. I knew nothing of Bulgarian or Costa Rican electronic sounds so I thought I'd take a listen. I have been listening to MyTrip ever since. Even managed to catch him live in 2014 in Bristol.
The broadcast starts with two pieces from the split tape, also included in the mix is a track from the collaboration release with fellow Bulgarian artistes Climaxim and Ivan Shopov, and a track from the split cassette with Human Larvae.
I was surprised to read that Russian label Infinite Fog were re-releasing the Peter "Sleazy" Christopherson LP "The Art Of Mirrors" on CD format. I never knew a vinyl edition existed. Originally released on the French Black Mass Rising label "The Art Of Mirrors" is a live soundtrack to the 1973 film of the same name by Derek Jarman. Recorded at L'Etrange Festival in 2004. The original vinyl release was limited to 500 copies....I managed to track a copy down, the programme includes two extracts.
A couple of "pre-release" spins courtesy of the good folk at Harbinger Sound. Nachthexen's "Disco Creep" 7" is out on the 22nd September to co-incide with their London date with Sleaford Mods and Heavy Metal's "Use Your Skull" track is from the forthcoming LP "The Nietzschean Supermen Of Dustbin Rock". Heavy Metal are a Berlin based punk band, fitting perfectly in with the roster of German punk bands being discovered and released by Harbinger Sound. Pisse, Toylettes, Noseholes and to some extent Karies spring to mind. I really like these tracks by Heavy Metal. "Simple Things" having a touch of Wire's "Lowdown" about it and "Use Your Skull" reminds me of Poison Girls (When played loud)!
The "On This Day" record is Artery's "The Clown". Released in 1982 on Red Flame Records.
Towards the end of the broadcast is the new 7" from Swedish duo Cryme. Their first outing on vinyl. Cryme are Daniel Fagerström (Optic Nerve) + Mattias Gustafsson (Altar Of Flies). A great slice of Swedish avant-pop.
Please take a listen here : Copy & Paste :
01: MyTrip : "Watching Myself" (Abandonment) 2012.
02: MyTrip : "From A Distance" (Abandonment) 2012.
03: Peter Christopherson : "The Art Of Mirrors (Extract)" (Black Mass Rising) 2015.
04: Climaxim/Ivan Shopov/MyTrip : "How Does It Feel To Be Inbetween" (Amek) 2016.
05: Cabaret Voltaire : "Baader-Meinhoff" (Factory Records) 1979.
06: Chris Watson : "10m" (Touch) 2007.
07: Peter Christopherson : "The Art Of Mirrors (Extract)" (Black Mass Rising) 2015.
08: Illusion Of Safety : "Quell" (Crippled Intellect Productions/Complacency) 2008.
09: Stuart Chalmers & Neil Campbell : "Slipping Slipping" (Not On Label) 2017.
10: Religious Overdose : "In This Century" (Glass Redux) 2017.
11: Bunnydrums : "Little Room" (Not On Label/Self Released) 1981.
12: Heavy Metal : "Simple Things" (Static Age) 2016.
13: Heavy Metal : "Use Your Skull" (Harbinger Sound) 2017.
14: Nachthexen : "Disco Creep" (Harbinger Sound) 2017.
15: Artery : "The Clown" (Red Flame Records) 1982.
16: MyTrip : "Remain Unfinished" (Danvers State Recordings) 2014.
17: Noise Dreams Machina : "Out" (Drone Records) 2008.
18: Cryme : "It's All Cold" (Hästen & Korset) 2017.
19: BºTong : "Vam / Lam / Ram / Pam" (Drone Records) 2011.
Next broadcast will be at 20:00 GMT on Thursday October 12. SoundArt Radio 102.5FM if you're anywhere near Totnes Devon or tune in to the SoundArt Radio website and listen to the live stream. SoundArt Radio have also started archiving MuhMur Radio broadcasts ... (Thank you very much).
Tuesday, 12 September 2017
Throughout the month of September an event is taking place in Torbay. "The Tale", a journey through time and space from the streets of Torquay to the quarry of Berry Head in Brixham. Performances, paintings and installations take place at points in between.
It is all the idea of Philip Hoare, a local lad who spent his boyhood here in Torbay. Philip is an esteemed author and film-maker of oceanic life.
Last Saturday Philip hosted a conversation with Chris Watson and Ellen Gallagher whose audio and visual work are part of "The Tale". Ellen's work is being exhibited at Torquay Museum (to a Chris Watson soundtrack) until September 24. Chris has his installation piece "No Man's Land" in the quarry at Berry Head. The conversation took place inside the Artillery House at Berry Head Nature Reserve. It was more or less established straightaway that the three were connected through a love of music, although Ellen had never heard Chris's work until this event. She was involved with American project Drexciya and has worked with Detroit musicians Derek May + Jeff Mills. Philip used to work for Rough Trade Records and Les Disques Du Crepuscule in the early 1980's whilst they were releasing and promoting Cabaret Voltaire.
The conversation flowed from Ellen's work in her studios in New York and Rotterdam (The Nether-Lands), where she is based by the sea..she likes to travel out onto the ocean to seek inspirations for her art. She told the story of watching a deer drown and so discovering that the sea is unrepentant and also the history of the Dutch slave ship "The Zong" and how it was originally called "The Zorg" which is Dutch for "Care" and its massacre of slave women and children in 1781. Compelling and fascinating. Chris wove in stories of how sea mammals communicate, how the life that remained in the sea instead of crawling onto the land and never returning, communicates by telepathy and vibrations. He explained his techniques for recording their "music", referring to the sounds of the sea as music. Philip spoke of his swimming with Orca and Sperm Whale and his fear of the ocean. He swims daily but every time he enters the water he is "shit scared". And all this going on whilst the music of turtles, dolphins and whales coming from Chris's installation was surrounding the hut.
Q&A session and my esteemed colleague and occasional MuhMur Radio contributor, Mathew F. Riley asked Chris what was the defining moment when he decided to leave the path of Industrial Music and record the music of nature. Was it always a boyhood dream? Chris answered by saying the reason for leaving Cabaret Voltaire was deeply personal. The death of Ian Curtis affected him a lot. Then it became obvious through watching New Order and Soft Cell (both of whom Chris had recorded in his Western Works Studio in Sheffield) that to progress they would have to sign to a "major" label. In 1983 New Order were invited onto "Top Of The Pops" and Soft Cell were number One with "Tainted Love" and they both invited Chris along for the experience and it was there during the recording that he saw that you had to sell your soul to move "upwards", you had to become a prostitute and sacrifice too much. It was there he decided to leave Cabaret Voltaire and start a career in engineering at Tyne Tees. (A Northern television studio). It really was an ear and eye opening personal story told with eloquence and not what either of us expected.
"No Man's Land" Berry Head Nature Reserve
"No Man's Land" is a mammoth installation. An array of huge speakers hung over the quarry cliffs booming out the music of subterranean sea life. The sound of Planet Ocean. We spent about 30 minutes in the sensurround sounds looking out across the Atlantic Ocean towards Torquay and beyond. The sound of below the sights of above. Awe-inspiring.
Events like this are rare in Torbay. I went along to meet and hear Chris Watson (being an old cab's head) and hopefully get my 7" single signed (failed....too shy), but the day opened me to the works of Ellen Gallagher and writings of Philip Hoare.
The event runs until September 24 and the installation at the quarry is free on weekends. Recommended. A great day out.
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